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Illustrations

04.2025BringueIllustration zine
02.2025Le Rat, Frère des lisièresIllustration

06.2024PartiesIllustration
12.2023Conversation Matters - Le village sans fousEditorial design & illustration
12.2023Mantique tea infusionsIllustration
06.2023 Le départ de papaBook design, illustration & narration
12.2022Virginia’s HousesBook design, illustration & narration
12.2022AvertissementBook design & illustration
09.2022“Les Belles Lettres” publicationIllustration
06.2022Postal cards to the headIllustration

Graphic design

03.2025Goldsmiths Graduate Diploma  catalogues & posterGraphic & editorial design
06.2024Le Fou du village de SalmaritinEditorial design, drawings & narration
04.2024
ONHA visual identityArtistic direction

10.2023OVISION open micVisuals & posters
06.2023Roscosmic propagandaBranding, posters & illustration
12.2022Marni Theater identityVisual identity
07.2022Radio Esperanzah! 2022Visuals & posters

Art practice

04.2025Series - corpogeopgraphyPainting
03.2025Chemist Gallery show - worksPainting, print & installation
01.2025
Untitled (projection)Projection on metallic frames,350 x 250cm

12.2024
Goldsmiths show - worksPainting & installation

2024Ryhtmanalysis paintingsPainting
06.2024SalmaritinInstallation
06.2024Drawings of SalmaritinIllustration, drawing & painting
2024Village fool paintingsPainting
12.2023Se perdre dans une petite pièceInstallation
2023
PaintingsPainting



Drawings

2025Sketchbook 410x15cm
2024Sketchbook 314,8 x 21cm
2023Sketchbook 210 x 15cm
2023Sketchbook 121 x 29,7cm



© William Denis

William Denis is a London - Brussels based artist and designer, born in the Belgian Ardennes. He brings an asserted personal and sensitive touch from his drawing practice into design and communicative projects. 


Projects

Illustrations

Bringue


A zine of wild illustrations made in collaboration with Hippolyte Lesseliers to celebrate the comeback of spring in Brussels, somewhere between the terrace reopenings and old villagish - cultish rituals linked to this specific period of the year.

60 pages, 13x20cm, printed on Comcolor at ‘Les Ateliers du Toner’.






Le Rat, Frère des lisières

Cover and series of illustrations for ‘Le Rat, Frère des lisières’, a beautiful text by Julie Delfour exploring humanity’s physical and psychic coexistence with the rat.

Published by Klincksieck Editions, 12x18cm






Parties



Conversation Matters - Le village sans fous


Those texts contain a research on the importance of the «village fool» figure within society and the psychiatric institution, and also an interview of Anne-Françoise Rouche, the director of a renowned Art Brut Contemporary center in Belgium called « La S Grand Atelier ». To illustrate these subject matters, I realised a series of illustration around the theme of the “fool” and took pictures at La S Grand Atelier.

Courtesy La "S" Grand Atelier





Mantique tea infusions illustrations
During an internship at Oilinwater studio in Brussels, I worked on a series of illustration on the zodiac signs for a new tea infusions brand called “Mantique” , for which the studio was creating the visual identity before it got on the market. The illustrations will be used on the packaging box, which you can see up here the front on the left and the back on the right, with the drawing on both sides of it.





Le départ de papa


This work is a personal story about the time my dad went to ex Yugoslavia as a peace maker when I was five, in 2006. Going through letters and pictures we sent each other at that time, I wrote a text about how I viewed war as a child, with a vision that went from the heroic idea of it I would see on television, to the reality of a parent’s absence, which you worry about, and make you not want him to be a hero anymore. Through this story of a growth of maturity, I illustrated the text and the feelings of a kid confronted to this situation.

20 x 28 cm, 120 pages





Virginia’s houses



This works tells, through text and illustrations, the life of Virginia Woolf in three different books representing the three main houses of her life. The first book is focused on her childhood and the system she grew in, the second on her youth and progressist minds at the time, and the final one on her adult life, publication and legacy. I wrote, drew and designed the three books.












Avertissement


I worked on illustrating a thesis written by Belgian surrealist poet Paul Nougé, which he wrote as an intro to one of Magritte’s expositions in Brussels. This text explains how painting could save society at the time from going right into a wall, by opening people’s true visions, which I reinterpreted myself with my current vision using acrylic painting.





“Les Belles Lettres” publication

In august 2022, I worked for French publisher “Les Belles Lettres” to illustrate a text about how sci fi works in our consciousness next to casual sciences, written by philosoph Vincent Bontems and physician Roland Lehoucq.





Postal cards from the hand to the head


A series of 20 postal cards telling a one-way conversations, where my hand talks to my head, like an employee to its employer. This project was an introspection of how my body feels along with my soul, and all the thoughts and feelings coming out when i start drawing. This project was made at La Cambre.




Graphic design

Goldsmiths Graduate Diploma catalogues & posters




Chemist Gallery shows - catalogues
3x 36 pages, A4 format, printed at ‘Les Ateliers du Toner’ in Comcolor.





Chemist Gallery shows - ‘Thresholds’ poster





Goldsmiths first term exhibition ‘ ‘Pick’n mix’ poster & signage





Le Fou du village de Salmaritin


Salmaritin is a fictive village born from the meeting of “La S Grand Atelier”, an Art Brut contemporary center, and myself, where the notion of deviance is constantly questioned within a psychiatric background. In this imaginary space, every artist of “La S” gave themselve a specific role while I incarnated the fool confronting the village’s norms and rules. Through a human, organic and artistic dialogue, I created relationships with the inhabitants of this strange village.

In this book, I tell the story of how I encountered the artists of the atelier in a lineary way during three months, event by event, slowly becoming closer and friends in the end. Through the artworks made together, the crazy anecdotes that happened everyday in this place and interviews with specialists of Art Brut and the psychiatric institution about the importance of the village fool, this work is a celebration of deviance and madness.

300 pages, 24x32cm

Courtesy La "S" Grand Atelier
Lauréat des Amis de La Cambre 2024





ONHA visual identity


Since 2020, I’ve been working alongside Belgian rapper ONHA, from making his visuals to becoming artistic director. As we’re many creatives in different sectors working together on that project, we created a collective named Ovision. I am then part of this collective as a graphic designer, visual artist and director for its visual identity.


Pictures of the release party of “Opale”, ONHA’s first project, for which I made the poster. I also designed visuals for the rapper’s scenic outfit, and the merch that was sold at the event.


A series of visuals made for ONHA’s concerts.





OVISION open mic events


Visual identity and a scenogaphy for an open mic event created by Brussels based collective
“OVISION” which I am a part of.







Roscosmic propaganda



In collaboration with Belgian artist and space searcher Louise Charlier, I worked on a series of posters of propaganda for her space agency called Roscosmic. 10 posters were made as a finality to this project.







Marni theater visual identity


This work is a concept of rebranding for The Marni Theater, a Brussels based place for alternative and contemporary scene arts. The concept behind this identity is the imagination of caves under Brussels, where artistic performances take place inside of it. This work was made at ENSAV La Cambre as a first year Master student.




Radio Esperanzah! 2022


During summer 2022, I worked on a visual identity for a Belgian festvial’s radio “Radio Esperanzah!”. It consisted mainly in creating a series of posters, and further a whole scenography of the place during the festival.




Art practice

Corpogeography - painting series
Charcoal, acrylic and spraypaint on canvas, 90x120cm











Chemist Gallery show - works


Chemist gallery photos by Satrxx





Dancer walking up and down the stairs
Charcoal and acrylic on and inside prolypopylene sheets, mounted on metallic structure, 2 x 100 x 140 cm


Insurrectional choreography
Pastel and screenprinting on acrylic sheets, mounted on wooden & metallic structure, 70 x 60 x 140 cm 





Untitled (projection)







Rhythmanalysis paintings
Untitled
Acrylic and charcoal on canvas, 84x60cm






Rythmanalyse d’un largage de bombes
Pastel & acrylic on canvas, 100 x 100 cm






Study of movement in urban space
Acrylic, charcoal and spraypaint on canvas, 120 x 90 cm





The village of Salmaritin


This installation is the final act of the project of “Salmaritin” made during three months at “La S Grand Atelier”, an Art Brut Contemporary center located in the Belgian Ardennes. We collectively created a fictive village where every artist would have a specific role, a place where to live and work, and I would be the village fool, since I had to adapt to the rules and norms of the atelier to meet the people there.
Once all was set and everybody had drawn their own house, we built out of cardboard a maquette of Salmaritin and made it a whole playground to create anything around it.

On the back right of the maquette, there’s a mountain atop of which is a fictive version of a psychiatric hospital close to the atelier, standing there to remind the village of the institution it lives in. From its point of view, every house in the village turns its back from it.

160 x 160 x 90 cm


Some of the houses of Salmaritin, made by the artists for themselves.

Courtesy La "S" Grand Atelier
Lauréat des Amis de La Cambre 2024





Drawings of Salmaritin

A selection of the artworks made during three months at La S Grand Atelier, an Art Brut Contemporary center located in the Belgian Ardennes. These were made as part of the project of the fictive village Salmaritin, to enlarge the small universe we were building together. They were also vectors for human encounters, and creating links in other ways than through vocal dialogues.


Courtesy La "S" Grand Atelier
Lauréat des Amis de La Cambre 2024





Village fool paintings



La Grève du fou
Acrylic & spraypaint on canvas, 100x70 cm

Here under: researches  




Désir désœuvré
Acrylic & spraypaint on Arches paper, 101x64cm

L’oiseau hésite
Acrylic & spraypaint on Arches paper, 101x64cm





Se perdre dans une petite pièce


A text about the wandering of people living in psychiatric institutions, read and played as an audio in an installation. Another version of the same text is written on paper sheets assembled on the bed used in that same installation. This work is a research on the theme of the village fool.

Photos by Ewan Andrade Lopes





2023 Paintings


Spezi
Acrylic & spraypaint on Arches paper, 101x64cm




Les larves seront mouches
Acrylic on canvas, 50x70cm





Fides go live
Acrylic & spraypaint on Arches paper, 101x64cm





Startrip in Xberg
Acrylic on canvas, 60x80cm




Drawings

Sketchbook no.4






Sketchbook no.3






Sketchbook no.2




Sketchbook no.1